Библиография

Библиография

Ackerman, Diane. Deep Play. New York: Random House, 1999.

Aoki, Hiroyuki. Shintaido. Shintaido of America, P.O. Box 22622, San Francisco, CA 94122, 1982.

Bergren, Mark, Molly Cox, and Jim Detmar. Improvise This!: How to Think on Your Feet So You Don’t Fall on Your Face. New York: Hyperion, 2002.

Bernardi, Philip. Improvisation Starters: A Collection of 900 Improvisation Situations for the Theater. Cincinnati: Betterway Books, 1992.

Blofeld, John. Bodhisattva of Compassion: The Mystical Tradition of Kuan Yin. Boston: Shambhala, 1977.

_____. Taoism: The Road to Immortality. Boulder, Colo.: Shambhala, 1978.

Boal, Augusto. Games for Actors and Non-Actors. London and New York: Routledge, 1992.

_____. The Rainbow of Desire. London and New York: Routledge, 1995.

Chadwick, David. Crooked Cucumber: The Life and Zen Teaching of Shunryu Suzuki. New York: Broadway Books, 1999.

Coleman, Janet. The Compass: The Improvisational Theatre That Revolutionized American Comedy. Chicago: University of Chicago Press, 1990.

Dunn, David. Try Giving Yourself Away. Louisville, Ky.: The Updegraff Press, 1998.

Fischer, Norman. Taking Our Places: The Buddhist Path to Truly Growing Up. San Francisco: Harper San Francisco, 2003.

Foreman, Kathleen and Clem Martini. Something Like a Drug: An Unauthorized Oral History of Theatresports. Alberta, Canada: Red Deer College Press, 1995.

Fox, Jonathan. Acts of Service: Spontaneity, Commitment, Tradition in the Nonscripted Theatre. New Paltz, N.Y.: Tusitala Publishing, 1994.

Frost, Anthony and Ralph Yarrow. Improvisation in Drama. London: Macmillan, 1990.

Goldberg, Natalie. Writing Down the Bones: Freeing the Writer Within. Boston: Shambhala, 1986.

_____. Wild Mind: Living the Writer’s Life. New York: Bantam, 1990.

_____. Living Color: A Writer Paints Her World. New York: Bantam, 1997.

Hall, William and Paul Killam, eds. BATS Playbook. BATS, B350 Fort Mason Center, San Francisco, CA 94123.

Halpern, Charna, Del Close, and Kim Johnson. Truth in Comedy: The Manual of Improvisation. Colorado Springs: Meriwether Publishing, 1993.

Hayward, Dr. Jeremy. “First Thought, Best Thought,” Tricycle Magazine, Spring, 1995.

Hazenfield, Carol. Acting on Impulse: The Art of Making Improv Theater. Berkeley, Calif.: Coventry Creek Press, 2002.

Hodgson, John and Ernest Richards. Improvisation. New York: Grove Press, 1966.

Hyde, Lewis. The Gift: Imagination and the Erotic Life of Property. New York: Vintage Books, 1979.

Johnstone, Keith. Impro: Improvisation and the Theatre. New York: Theatre Arts Books, 1979.

_____. Impro for Storytellers. New York: Routledge / Theatre Arts Books, 1999.

Kao, John J. Jamming: The Art and Discipline of Business Creativity. New York: Harper Collins, 1996.

Koppett, Kat. Training to Imagine. Sterling, Va.: Stylus, 2001.

Krech, Gregg. Naikan: Gratitude, Grace, and the Japanese Art of Self-Reflection. Berkeley, Calif.: Stone Bridge Press, 2002.

Lippe, Toinette. Nothing Left Over: A Plain and Simple Life. New York: J. P. Tarcher, 2002.

_____. Caught in the Act: Reflections on Being, Knowing, and Doing. New York: J. P. Tarcher, 2004.

Lowe, Robert. Improvisation, Inc.: Harnessing Spontaneity to Engage People and Groups. San Francisco: Jossey-Bass/Pfeiffer, 2000.

Maguire, Jack. The Power of Personal Storytelling: Spinning Tales to Connect with Others. New York: J. P. Tarcher, 1998.

Maisel, Dr. Eric. The Creativity Book. New York: J. P. Tarcher, 2000.

Mathieu, W. A. The Listening Book: Discovering Your Own Music. Boston: Shambhala, 1991.

McKibben, Bill. The Age of Missing Information. New York: Random House, 1992.

Nachmanovitch, Stephen. Free Play: Improvisation in Art and Life. Los Angeles: J. P. Tarcher, 1990.

O’Reilley, Mary Rose. Radical Presence. Portsmouth, N.H.: Boynton/ Cook, 1998.

Remen, Rachel Naomi. My Grandfather’s Blessings: Stories of Strength, Refuge, and Belonging. New York: Riverhead Books, 2000.

Reynolds, Dr. David K. The Quiet Therapies. Honolulu: University of Hawaii Press, 1980.

_____. Naikan Psychotherapy: Meditation for Self-Development. Chicago: University of Chicago Press, 1983.

_____. Constructive Living. Honolulu: University of Hawaii Press, 1984.

_____. Playing Ball on Running Water. New York: William Morrow, 1984.

_____. Even in Summer the Ice Doesn’t Melt. New York: William Morrow, 1986.

_____. Water Bears No Scars. New York: William Morrow, 1987.

_____. Thirsty, Swimming in the Lake. New York: William Morrow, 1991.

_____. Rainbow Rising from a Stream. New York: William Morrow, 1992.

_____. A Handbook for Constructive Living. Honolulu: University of Hawaii Press, 2001.

Salas, Jo. Improvising Real Life: Personal Story in Playback Theatre. Dubuque, Iowa: Kendall/Hunt, 1993.

Spolin, Viola. Improvisation for the Theatre. Evanston, Ill.: Northwestern University Press, 1963.

_____. Theatre Games for Rehearsal. Evanston, Ill.: Northwestern University Press, 1985.

Stockley, Rebecca and Lynda Belts. Improvisation Through Theatresports. Puyallup, Wash.: Thespis Productions, 1991.

Sweet, Jeffrey. Something Wonderful Right Away. Pompton Plains, N.J.: Limelight, 1986.

Tarrant, John. Bring Me the Rhinocerous. New York: Harmony Books, 2004.

Tharp, Twyla. The Creative Habit: Learn It and Use It for Life. New York: Simon & Schuster, 2003.

Weiner, Dr. Daniel. Rehearsals for Growth: Theater Improvisation for Psychotherapists. New York: W. W. Norton, 1994.

Wirth, Jeff. Interactive Acting: Acting, Improvisation, and Interacting for Audience Participatory Theatre. Fall Creek, Ore.: Fall Creek Press, 1994.

Wise, Nina. A Big New Free Happy Unusual Life. New York: Broadway Books, 2002.

Zaporah, Ruth. Action Theater. Berkeley, Calif.: North Atlantic Books, 1995.

Zarrilli, Phillip. Acting (Re)Considered. London and New York: Routledge, 1995.